Our Facilities:

We are based in a brand new state-of-the-art facility in Ealing Studios. We have nine post-production suites fully equipped with a range of facilities to cover all stages of the post-production process, linked through to our machine room for ingest and layoffs. In conjunction with our film scan and film-out partners we offer a full service, one stop-shop for your project.

 

We also offer 35mm and 16mm film scanning and laser-out through our film scanning and film-out partners, as well as film restoration and dust-busting in house through our PF Clean suite. Backing up our online and grading suites is a Fibre-channel 50 Terabyte Xsan, which enables us to conform, edit, online, grade and deliver uncompressed HD, 2K and 4K footage.

All our suites have access to our Telestream Episode Engine multi-format encoding server. Our Episode Engine industry level encoding system can encode to cater for any delivery across a fast render farm array - providing fast, broadcast and cinema standard quality. This is backed up by traditional delivery in house to any digital or analogue tape as well as Digital Cinema Masters and 35mm/16mm film out through our ARRI Laser partner.
 
All suites are equipped with comfortable sofas, full air conditioning and the most attractive post production staff this side of Milan!
 

Grading suite

Powered by a state of the art Baselight DI system, our grading suite is capable of 4k/2k/HD/SD and RED online/conform and grading in real time. This environment provides the highest possible standard for TV and Film online and grading.

 

Our Baselight is supported by a Blackboard grading surface, Tektronics vectorscope and high quality HD projection and display monitoring. The Trulight colour management system allows us to calibrate our grading system to any film printing or digital cinema delivery device.

 

Secondary Grading Suite

Final Cut Pro SD/HD native and uncompressed Offline/Online and Grading Suite.

The suite is equipped with a JVC 10K HD Projector, Tangent Devices Grading panels, HD Broadcast Monitor, AJA Kona 3 monitoring, a Tektronix Vectorscope and Genelec audio monitoring. This is suitable for high end HD/SD Color grading, offline/online editing, Motion graphics, Compositing and as a screening room.

 

Online Suites

Final Cut Pro SD/HD native and uncompressed Offline/Online and Grading Suites. HD Broadcast Monitor and Genelec audio monitoring. These suites are set up for HD/SD Color grading, Offline/Online editing, Motion graphics and Compositing.

 

Avid Suite

Avid Adrenaline (SD Offline/Online), SD Monitoring on Sony Broadcast CRT Monitor. This suite is set up as an alternative to our Final Cut Pro online suites.
 

 

Sound suite


Our sound isolated sound suite compromises of a ProTools HD system, 5.1 Genelec Monitoring system and Icon D-Command 24 interface.

 

This allows us to edit and mix soundtracks up to Dolby 5.1 standard. In addition we have installed ADR and Voice Over capabilities.